All Rights Reserved. The Dangerous BAX EQ is one of the smoothest sounding EQs you will use. Beyond the easy-to-use shelf controls, the BAX EQ is equipped with sophisticated filtering options that vastly expand its versatility. EMILY LAZAR • MASTERING ENGINEER“The shelving EQs just bring out the magic of the artist’s intentions, without stepping on the music.”, DAVE KUTCH • MASTERING ENGINEER“The BAX EQ gave me a foot like no other EQ I have does.”, F. REID SHIPPEN • MIXING ENGINEER“The BAX EQ is an awesome piece of gear. Dangerous Music Digital, Brainworx and UAD team up to meticulously model the analog hardware for this plugin. Filter out the ultra-lows, and boost the shelf. Getting a punchy kick drum has never been easier. I’ve been looking for years, maybe a decade, for an effective hi-pass filter that can take the infrasonic muck out of a mix, without destroying what’s going on in the bottom end. Dangerous Music Digital, Brainworx and UAD team up to meticulously model the analog hardware for this plugin. It offers a clear crystal sound without sounding sterile or boring. Baxandall’s simple, gloriously effective EQ sweetened up program material by simultaneously employing broad, open curves and gently sloping cuts. You’ll know it when you feel it. With the Bax, it’s easy - just turn up the top shelf. THE AWARD-WINNING EQ THAT BROUGHT CLASSIC TONE CONTROL INTO THE 21ST CENTURY, NOW AVAILABLE AS A PLUGIN. TRY & BUY. The Dangerous BAX EQ is the first professional, stand-alone EQ to leverage the famous Baxandall curves, and our version – designed by our own legendary designer Chris Muth – has become an essential classic among mixing, mastering and tracking engineers. At the heart of this stereo unit are gently sweeping treble and bass EQ shelves (the Baxandall Curves) that give you subtle yet profound control over wide sections of the frequency spectrum. Plugin Alliance Dangerous Music BAX EQ 24h sale, $39.99 with voucher code BAX-EQ-3999, offer ends April 13, 11:59 PM California Time. Free 2 year extended warranty with online registration. Supported Formats: AAX AudioSuite, AAX Native, AU, UAD-2, VST2, VST3, Based on Peter Baxandall’s legendary 1950s HiFi tone control for extreme musicality, High and low cut filters remove unwanted frequencies, creating more headroom and tonal shaping, Utilize the magic of Mid/Side with the Mastering version of the plugin to control the stereo imagery, Low end punch without the mud; high end clarity without harshness, Professional Audio Magazine Editors Choice Award (winner). The frequency cut filters feature individual relay bypasses. Product Registration Find a Dealer Privacy Policy Terms of Use. The bass and treble shelves found on most professional EQs introduce phase delay and other audible artifacts, sometimes called “color.” The BAX EQ’s shelves maintain phase coherence, and — because it is built from the same ultra-high-grade components we use in all our equipment — the BAX EQ does not change the characteristics of the original sound. The cut filters on either end of the spectrum dial out unneeded frequencies that will be boosted at the far end of the shelves. Does not include damage incurred through abusive operation or modifications/attempted repair by unauthorized technicians. The Dangerous BAX EQ is the first professional, stand-alone EQ to leverage the famous Baxandall curves, and our version – designed by our own legendary designer Chris Muth – has become an essential classic among mixing, mastering and tracking engineers. Designed in partnership with Brainworx, and Dangerous Music Digital™, the Dangerous BAX EQ Collection is a circuit-accurate emulation of the original analog hardware for UAD-2 DSP Accelerators and Apollo-equipped workstations. Hear what you’ve been missing all along. CLICK TO PURCHASE: Product Registration Find a Dealer Privacy Policy Terms of Use. Frequency Response:+- 0.1dB from 10Hz to 20kHz+- 0.2dB from 1Hz to 80kHz, Noise floor:<-92dBu band limited from 22Hz-22kHz, Replacement Fuses:USA 500mA fast blow for 120VEurope 250mA fast blow for 240V. '”, FAB DUPONT • MIX ENGINEER“The BAX EQ lets me achieve that modern pop brightness without any of the usual sibilance or harshness. The BAX EQ PLUGIN is modeled from the hardware, which uses only the finest mastering-grade components to achieve transparency and phase coherency. Achieve radio-ready results, without sacrificing the integrity and character of your tracks. https://www.plugin-alliance.com/en/products/dangerous_bax_eq.html This is now one of my go to EQ’s in my studio.”, EMILY LAZAR • MASTERING ENGINEER“The BAX cut filters are a unique and an indispensable part of my corrective process. Oct 12 BAX EQ FREE PLUGIN PROMOTION Purchase and register your Dangerous Music BAX EQ between 10.09.2020 and 12.31.2020 to receive a complimentary BAX EQ PLUGIN for your DAW. The Dangerous Music BAX EQ is the first professional, stand-alone EQ to use the famous Baxandall curves, and Dangerous's version – designed by their own legendary designer Chris Muth – has become an instant classic among mixing, mastering and tracking engineers. Rolling off specific low frequencies like 12 or 18Hz actually increases the low end of the final product. Unique design founded on the classic bass and treble tone controls, Stepped controls for accuracy and repeatability, Broad Q-shelving for a natural, open transparent sound, 7-position phase coherent high-pass and low-pass filters on relays, 8-position high - and low - frequency selection, 5dB cut and boost controls in 1/2dB step for precise control. Dangerous Music BAX EQ by Plugin Alliance - And when you start playing the cut filters against the shelves, a whole world of unique tone-shaping opens up within the audible frequency band – sounds you wont get anywhere else. And the BAX EQ is the only one that I’ve ever found that can do that. Starting far below and above the human hearing limit, the broad and gentle EQ curves gently tug at the audible frequencies in ways that other EQs cannot. Designed as a “finishing EQ,” the BAX EQ Collection is an authentic plug-in emulation of this studio staple for UAD-2 hardware and Apollo interfaces. What it does is enhance the music is a wonderful way.”, JOHN BUTLER • COMPOSER, DIAMOND MINE MUSIC (DR. PHIL, RACHEL RAY)“I love how while I’m tweaking the knobs I hardly hear the changes and then when I take it out, it’s like ‘wtf, my mix just shrank! I haven’t mastered a project without the BAX engaged since its purchase in 2012.”, MANNY HERNANDEZ”The Dangerous BAX EQ PLUGIN has been instrumental during our mastering sessions. GRAMMY® award-winning record producer and mix engineer Rob Chiarelli can’t imagine life without the Dangerous Music System Complete in his studio. This is the ineffable paradox of real analog transparency: you have the ability to make powerful changes without substantially altering the original sonic characteristics. The low cut filter goes all the way down to 12 Hz, wiping out the infrasonic rumble and unwanted DC, and giving back your punch, while the high cut filter reaches up to 70kHz, eradicating the ultrasonic interference. The Dangerous BAX EQ Plug-In Collection is a powerful tool for shaping and enhancing the tonality and character of your music. It really adds a beautiful simplicity to the overly complicated process of properly EQ’ing a vocal.”, GLENN BUCCI • ENGINEER, REVELATION SOUND STUDIOS“The filters help remove rumble, and when using the 70 kHz filter, it provides more headroom for your mixes. The inspiration behind the Dangerous BAX EQ is Peter Baxandall’s legendary 1950s EQ — a tone control that graced thousands of hi-fi systems. It enhances the sound of the whole kit, but it doesn’t sound processed – just clear and 3D.”, “What I love about the BAX is its ability to sound punchy in the low end, without being muddy.”, JOHN SCRIP • MASSIVE MASTERING“It’s very rare that a project doesn’t pass through the BAX EQ… So easy to tweak – It just kicks everything up a notch.”. On the high end, you can dial out ultra-sonics like 70 kHz that can carry out-of-band noise that translates as harshness in many A/D converters. In a category all its own, the BAX EQ will compliment any studio configuration. It adjusts the signal without getting in the way. I haven’t found a plug-in high-pass filter that sounds nearly as smooth. With the introduction of the BAX, shelving has not only become exciting again, but essential. Use the high and low cut filters to get rid of all the extra frequency content that muddies up tracks and kills headroom, thus allowing for louder and more dynamic mixes. The low shelf gives you all the bump you need without the mud. Once engaged, you’ll never bypass it again. The BAX EQ Collection contains two independent plugins: the Dangerous BAX EQ Mix and the Dangerous BAX EQ Master — a stereo version with Mid/Side processing capabilities. Relays remove the filters entirely from the signal path until desired, for true A/B comparisons, but it is a good idea to leave cuts engaged most of the time, as discussed above. It’s killer.”, JONATHAN WYNER • MASTERING ENGINEER“The thing that really sold me on the BAX EQ is the high pass filter. Outstanding in a mastering rig, on a whole mix or in any tracking chain, the BAX EQ lets you effortlessly sweeten and deepen any music — like the best bass-treble controls you’ve ever used.

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