The VR2 appears slightly noisier because it has its own preamp stage, whereas the self‑noise figure for the VR1 doesn't include any noise contribution from the preamplifier to which it will be connected — and which will need to be operated at a higher gain than if a VR2 were connected. ... Coles 4038 Studio Ribbon Pair. Is there a 'right way up' to mount a mic? "The sE Electronics Voodoo VR-1 and VR-2 ribbon mics mark a new era for ribbon mic technology – until now the only ribbon mic in the world to perform across 20Hz-20KHz was the sE… You save $16.70 . €1,845.69. The ribbon and magnetic assembly fills almost the whole of the body, leaving just enough space below for the output transformer, and in the case of the VR2, the on‑board circuitry. 5 . Interestingly, the Neve RNR1 sounded surprisingly similar, but with a slightly more full‑sounding low end. Although closer to the original R1 in price, the Voodoo mics sound surprisingly similar to the rather more costly RNR1, and they should suit many studio applications. ... K&M 23550 Microphone Stereo Bar. What is a "hybrid" audio interface anyway? Because of its active circuitry, the VR2 requires 48V phantom power to operate. SE Electronics VR1 Voodoo Bundle SE Electronics Pop Screen + SE Electronics VR1 Voodoo . All contents copyright © SOS Publications Group and/or its licensors, 1985-2020. It's also worth pointing out that while modern ribbon designs are mechanically more robust than most vintage models, they still need to be handled with care. Before packing everything away I put up my original SE R1 — the company's first ribbon model, which has a much more old‑school ribbon sound — and in all the above applications it sounded warm and punchy, but was far less well defined at the top end. Like the RNR1, both of the Voodoo mics have significantly more high‑end extension than a typical ribbon mic, but the sound still manages to retain its smoothness in the upper registers. Generating Element: Hand-tensioned 2.5µm aluminum ribbon, Power requirement: N/A (phantom-protected), - Steve Stevens, guitarist (Billy Idol) - sE Artist, - Lance Reynolds, FOH Engineer (Alt-J) - sE Artist, - Sebastian Schmidt, Drummer (Milky Chance, Adel Tawil) - sE Artist, - Paul White, Sound On Sound (full review), - John O'Mahony, Mixer / Producer (Vance Joy, Sarah Bareilles, Coldplay, Metric) - sE Artist, - Josh Turner, Singer / Arranger / Multi-Instrumentalist / Engineer - sE Artist, - Adam Lazzara, Singer (Taking Back Sunday), - Jack Douglas, Producer/Engineer (Aerosmith, John Lennon), - Ryan Pickett, FOH (My Morning Jacket) - sE Artist, - Ken "Pooch" Van Druten, FOH (Linkin Park) - sE Artist, - Brian Tarquin, BHP Music Ltd. - sE Artist, - Robbie Stamp, Future Music / Music Radar (full review), - Assorted Sweetwater users (more VR1 & VR2 reviews at £1,969. Until the VR Series, the only ribbon mic in the world to perform across 20Hz-20kHz was our own Rupert Neve collaboration, the RNR1. This was achieved using state-of-the-art custom transformers and a Rupert Neve-designed circuit to reveal HF usually absent. The engineers at SE are not saying too much about how their Voodoo capsule design works (there wouldn't be much voodoo about it if we knew! €1,206.03. Ribbon mics tend to have something of a family sound that's related to the way in which a typical ribbon transducer rolls off high frequencies — so I was intrigued when I heard that SE had developed a ribbon capsule capable of high-frequency response beyond 18kHz. ), other than that it includes some precision diffusion elements — but my tests here show that whatever they've done, it works. While some see the rear sensitivity of a figure‑of‑eight mic as a negative point, it is easy enough to take care of this using acoustic screens if necessary, and the insensitivity to sound arriving 90 degrees off‑axis can be a very useful ally in the war against spill. What witchcraft is this? £1,244. The active VR2 sounded virtually identical to the VR1 but was, as indicated by the specifications, far more sensitive. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. The VR2 active version is based on the same capsule design as the VR1 and, although the body is rather longer, it follows generally similar physical styling. No cons that aren't shared by other ribbon mics. © 2020 sE Electronics International, Inc.All Rights Reserved. You may login with either your assigned username or your e-mail address. The only ribbon I've heard that sounds similar is the same company's rather pricier RNR1, although the Audio-Technica AT4050 capacitor model also manages to sound smooth at the high end and works particularly well if you need a mic for guitar cabs. I'd describe the vocal character as warm and smooth, but not dull, and it could really help singers with 'thin' voices. Mastering Essentials Part 3 - How loud should I master? Los Angeles, CA - An sE Electronics Voodoo VR1 passive ribbon microphone is an essential component in the recording signal chain at a private production studio owned by guitarist and songwriter Steve Stevens, best known for his collaborations with Billy Idol over the past three decades. First Look: Pro Tools | Carbon. Win! Shure SM57 LC. SE Electronics VR1 Voodoo Bundle SE Electronics Pop Screen + SE Electronics VR1 Voodoo . Again it responded well to EQ, and could sound good on electric guitar, but it wasn't nearly as versatile as the Voodoos. This translated well with both clean and dirty guitar sounds, and though a little EQ may be needed to tame the inevitable proximity bass-boost when working up close, achieving a good electric guitar sound using this mic was no problem. $315. The result is a superbly detailed, open and natural recording of acoustic instruments and guitar cabs. One Synth Challenge V - The Filter Strikes Back! During a recent session for an album we were producing with singer/songwriter Adrian Brannan, we got a chance to try out the SE Electronics Voodoo VR2 for the first time as the acoustic guitar mic, and it … Sanken CS-3e. Both mics respond well to EQ and their smooth‑but‑extended top end might see them being used in situations where you'd normally pick a capacitor model. "I’m a songwriter, not an engineer, and whatever gets me there the quickest is what I’m going to use. I purchased the SE VooDoo ribbon microphone to balance out my multi-mic recording of various acoustic guitars of makes, models, … Ribbons are normally chosen when the high end of the source material needs smoothing out — common examples being bowed strings and guitar amps — so adding the wrong kind of top end could negate their benefits. All rights reserved. The are two versions of the Voodoo ribbons — the passive VR1 and the active VR2 — and both models claim a 20Hz‑18kHz frequency response. $409 . Sensitivity figures are 1.6mV/Pa for the VR1 and 10mV/Pa for the VR2. I've not personally tried the Blue Woodpecker, though apparently that also provides extended high end and may therefore be worth auditioning. $1,435. That’s why I like this microphone - it’s a no-brainer! Very warm smooth sound!” - Assorted Sweetwater users (more VR1 & VR2 reviews at Show all . $9.80. Nevertheless, the benign high-end of the ribbons kept the sound from becoming aggressive, so it may suit some styles, where a deliberately bright sound is not required. You'll find recordings made with the Voodoo mics on the SOS web site at /sos/feb11/articles/se-voodooaudio.htm alongside recordings made with the SE RNR1 for comparison. After all, if the response of a ribbon mic can now be made similar to that of a capacitor mic, wouldn't that defeat the entire reason for building a ribbon mic in the first place? Sanken CS-3e. On spoken word, the two mics again sounded very close to the RNR1, with only the RNR1's extra low-end warmth giving it away as the pricier mic. Re: Why does Liam Gallagher's vocals sound shit? sE Electronics Voodoo VR1 4.25 out of 5, based on 2 Reviews Excellent sounding passive ribbon microphone with a custom-design to increase high-frequency response. PreSonus StudioLive 32SC Series III Mixing Console. Classic ribbon sound but with more high‑end extension. Mastering Essentials Part 4 - Mastering EQ: Balance, Don’t Match. SE have aimed to combine the smoothness of ribbon mics with the high-end extension of a condenser. While SE's deluxe RNR1 ribbon model (which was designed in conjunction with Rupert Neve, and which I used as a reference mic while testing the Voodoos) uses specialist circuitry and custom transformers to achieve its extended high end, the Voodoo models use a novel mechanical diffusor method, that's an inherent part of the capsule design. The ribbon used in the Voodoo capsule itself is only two microns thick, and produces the figure‑of‑eight polar pattern you usually find in ribbon mics. Will be investing in more SE mics in the future.” ”The VR1 has worked great, so much so that I decided to pick up a second to be able to use them for stereo drum overheads as well.” ”My favorite use is on acoustic guitar body. Ryan Pickett, FOH and live performance archive recording engineer for the band My Morning Jacket, uses VR1 passive ribbon microphones for the band's live drums in a Blumlein pair - at a 90-degree angle with the capsules coincident.Pickett, who has been working with the band for eleven years, also using the VR1s for the band’s front man Jim James on his first solo project:

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